Jane Scott, The Lost Amazon of the Strand
Thursday 14th February, 1pm, Milgate Room, AD Hope Bldg, SLLL
202 years ago in February 1817 Jane Scott’s gothic melodrama Camilla the Amazon was staged, at her own theatre in London’s Strand, the Sans Pareil – a house that four years later became the Adelphi, and is still in business. In the same year her contemporary, the other Jane – Jane Austen – published her comically gothic work, Northanger Abbey. Why does the world not know that Jane Scott came first? Austen was a quiet, middle-class spinster living in Hampshire, unknown in her own lifetime; Scott was a successful London entrepreneur, an actress and a theatre manager as well as a prolific writer. Her theatre is a foundation stone of the modern West End.
I launched this paradox in an article called “Genius comes in all disguises” twenty years ago. Little happened. Then the cause of the actress/manager was taken up by Gilli Bush-Bailey, and together we have written and talked and taught students about her ironic melodramas, her groundbreaking contemporary comedies, the manic edge of her burlesques, and the way in which her works anticipate and have been waiting for post-modern understanding of the pre-Victorian. In 2017 Scott’s comedy Whackham and Windham received its first professional outing for 200 years. Maybe her time has come.
This lecture will present a whistle-stop tour of Jane’s life and work, her extraordinary energy and creativity and the many new things she brought to writing for the popular stage.
Jacky Bratton is Professor Emerita of the University of London and an Honorary Fellow of Royal Holloway, University of London. Her most recent books are The Making of the West End Stage, New Readings in Theatre History and The Victorian Clown, all published by Cambridge University Press. She is still tying up the ends of a career-long preoccupation with the cultural worlds of the nineteenth century, especially those below the radar of ‘the legitimate’, and the high cultural waterline that has succeeded that old definition of what is respectable. Her subjects have mostly been women and children, and often not respectable at all.
Ugly feelings and passivity in the novels of Gabriel Tallent and Anne Enright
Thursday 7 February, 1pm, Milgate Room, AD Hope Bldg, SLLL
Kathryn Hind completed her undergrad with Honours at the University of Canberra, where her thesis was a multimedia piece on reading as construction. In 2013, she completed a Masters in Creative Writing at Bath Spa University, UK. She began her first novel, Hitch, while on the course, and it will be published in June this year by Penguin Random House. Along with publication in Australian literary journals and some short story prize wins and short-listings, Kathryn has a poem published on an ACTION bus.
Join us for this week’s CuSPP seminar:
Creating A Place Among the Anthropo-scenes
Thursday 25 October, 1pm, Milgate Room, AD Hope Bldg, SLLL
For Indian writer Amitav Ghosh, the world is in the grip of a ‘Great Derangement’: human inaction in the knowledge of great, avoidable danger. This ‘danger’ manifests in several forms, but I am interested in the changes to environment and climate. To engage effectively with these, environmental and agricultural scientists call for a cultural turn to familiarity with the immediate natural world. At the same time, Ghosh predicts that future generations will hold writers and artists, as well as politicians, responsible for the inertia that characterizes derangement.
Ghosh’s and the scientists’ challenge invites experimentation; the relationship between place, culture and the material world is already one of the liveliest areas of inquiry in the humanities. In this paper I take a universal —the winds—and make them local. I focus on local place-writing and on the interplay of the natural world, language and experience, drawing on philosopher Edward S. Casey’s phenomenological and ethnographic approach to language as the expression of ‘intimate relationship between embodiment and emplacement, phenomena and culture’.
Barbara Holloway is a Visiting Fellow in SLLL. She researches and publishes across Australian literary history, place-making and environmental cultural studies in both critical and creative formats. Her most recent publication, ‘The Undead of Australian Forests’, appeared in ‘Land Dialogues,’ a special issue of Fusion, 2017.
Join us this Friday to celebrate the new Screen Studies Major at ANU and our relationship with the Film Program at Nanyang Technological University of Singapore with a joint ANU-NTU Film Studies Symposium:
Join us on Monday, 5 November 2018 at Hedley Bull for the inaugural TELFest, a showcase of the University’s best practice and innovation in education, with a highlight on how technology can contribute to positive outcomes for teaching and learning.
All are welcome and the conference is free, but please register here for catering purposes.
TELFest is offered by ANU Online, the central team responsible for technology-enhanced learning (TEL) at ANU. This free event is for all ANU staff who contribute to teaching, including academic staff, tutors, demonstrators, and professional staff in education support roles.
This is an opportunity to connect with your colleagues, to discuss your teaching practice, learn about new approaches and techniques, and debate key issues in technology-enhanced learning.
Several CuSPP members are participating in TELFest; Gemma King will be on the plenary panel, and Katie Cox will be speaking in the fishbowl discussion.