HRC Seminar: Jane Simpson on language in fantasy novels

‘Constrained Creativity: Towards a Natural History of Language in Fantasy Novels’

Professor Jane Simpson (ANU)

Seminar Room 2/3, Sir Roland Wilson Bldg, ANU, Tuesday March 14, 2017, 4.30-5.45 pm

Any fiction writer creates an alternate world, but in some genres, the alternate world is intended to be different from the novelist’s own society. This is most noticeable in science fiction, historical novels, fantasy novels, steampunk, and novels set in non-English speaking countries. Creating a believable alternate world involves paying attention to the languages spoken by the characters, and the place of languages in the world. The characters may speak different languages from each other and from the readers (‘alternate world languages’, AWLs, a type of ‘conlang’), but this must be represented through the language of the readers (the conceit of translation). Within this limitation, writers have some freedom to use words, phrases and sentences that readers won’t know, whether invented, archaic or from another language. These have communicative, symbolic and aesthetic functions.
Can we use the fragments of invented languages in novels as evidence of anything of interest to linguists? I suggest that the answer is a qualified ‘yes’, based on a survey of 50 novels, with more detailed study of three novels, along with consideration of parodies of fantasy novels, and discussion of reception, and comparisons with Peter Carey’s “Ned Kelly” and Dylan Coleman’s “Amazing Grace.”


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s